In a recent episode of Bret Easton Ellis' podcast, acclaimed director Quentin Tarantino expressed his admiration for the film "Joker: Folie à Deux," despite its negative reception. He sees it as a worthy successor to his own script for "Natural Born Killers" and praises the direction it took. Tarantino also noted the influence of his own work on the film, particularly in the characters of Arthur Fleck and Lee Quinzel.
Quentin Tarantino Praises "Joker: Folie à Deux," Acknowledges Its Influence from His Own Work
In a recent episode of Bret Easton Ellis' podcast, acclaimed director Quentin Tarantino expressed his admiration for the upcoming film "Joker: Folie à Deux," despite its polarizing reception.
Tarantino lauded the film as a worthy successor to his own script for "Natural Born Killers," praising the direction it took in delving into the depths of the character's psyche. He also recognized the influence of his own work on the film, particularly in the characters of Arthur Fleck and Lee Quinzel.
Background
"Joker: Folie à Deux" is the highly anticipated sequel to the 2019 hit "Joker," which starred Joaquin Phoenix in the titular role. The sequel, directed by Todd Phillips, is set to explore the relationship between Arthur Fleck and Lee Quinzel, who will be played by Lady Gaga.
Tarantino's comments come as a surprise to some, as the director has previously expressed skepticism towards superhero films. However, his praise for "Joker: Folie à Deux" suggests that he sees the film as more than just a comic book adaptation.
Top 5 FAQs and Answers
The film will delve into the twisted relationship between Arthur Fleck and Lee Quinzel, who become a deadly force in Gotham City.
Tarantino admires the film's exploration of the character's psyche, its homage to his own work, and its direction.
No, the film is not a direct sequel to "Natural Born Killers," but Tarantino sees it as a spiritual successor.
The film is scheduled to be released on October 4, 2024.
The film has received mixed reactions from critics and audiences, with some praising its exploration of mental illness while others dismissing it as a glorification of violence.
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